I've yet to find a natural-sounding use for the vibrato section of Auto-Tune, as it sounds too mechanical and synth-like for my taste, but it may be useful as a special effect. Finally, Auto-Tune and its contemporaries only sound really good when the singer you are. Auto tune app free. Loud sound effects. Rock like a rock star and have a high pitched voice like the best singers in the world with a voice enhancer for singing! Autotune for Singing Voice Changer. Feb 18, 2019 Instant Migos. The app comes with a starter pack of auto-tune effects, including a “natural tune” and “big chorus,” which adds harmonizing layers to your voice, but there are expansion packs that.
Latest Version:
Auto-Tune Pro 9.1.0 LATEST
Requirements:
Mac OS X
Author / Product:
Antares Audio Technologies / Auto-Tune Pro for Mac
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Old Versions:
Filename:
Auto-Tune_Pro_v9.1.0_macOS.zip
Details:
Auto-Tune Pro for Mac 2020 full offline installer setup for Mac
Auto-Tune Pro for Mac is the most complete and advanced edition of Auto-Tune for macOS. It includes both Auto Mode, for real-time pitch correction and effects, and Graph Mode, for detailed pitch and time editing. For twenty years, the app has been the professional standard for pitch correction, and the tool of choice for the most iconic vocal effect in popular music.Now, with the introduction of the app, it’s more versatile and easy to use than ever before, thanks to a totally redesigned interface and powerful new processing, editing, and navigation features. Added automatic key detection with the new Auto-Key plug-in (included with Auto Tune purchase), Classic Mode for the “Auto-Tune 5 sound,” real-time MIDI Control, and ARA for closer integration with supported DAWs.
Both the Auto Mode and Graph Mode interfaces have been redesigned to offer the most efficient, flexible, and intuitive workflow for professional users and beginners alike. Auto-Tune Pro for macOS also includes Flex-Tune and Humanize for more transparent and natural-sounding tuning, and Low Latency mode so you can perform in real time without distracting delay.
It also features Time Correction for non-destructive time editing, as well as Formant Correction, Vibrato Controls, and Throat Length Modeling. Whether you want to quickly touch up a few questionable notes or meticulously polish an entire performance, the tool offers the professional pitch correction and classic effects you’re looking for.
In addition to key and scale, Auto-Key also tells you the reference frequency of your music. Most modern music is tuned so that A is equal to 440 Hz, but this is not always the case. If your music or samples are tuned to a different reference frequency, Auto-Key will show you what it is, so you can make the necessary adjustments when applying pitch correction or selecting samples.
Features and Highlights
- Auto-Tune Pitch Correction and Vocal Effect
- Low Latency for Live Performance and Tracking
- Humanize Function
- Automatic Formant Correction
- Adjustable Throat Modeling
- Create and Adjust Vibrato
- Real-Time MIDI Control
- Auto-Motion Melodic Pattern Generation
- Classic Mode for the 'Auto-Tune 5 Sound'
- Auto-Key: Automatic Key Detection
- Flex-Tune Transparent and Flexible Pitch Correction
- Transpose: Real-Time Pitch Shift
- Graphic Pitch Editing
- Graphic Time Editing
- ARA Support (Audio Random Access)
- Generate Note Objects from MIDI
- Adjust Tuning Parameters on Individual Notes
Note: 10 days trial version. Requires a compatible host program that supports the VST format.
Also Available: Download Auto-Tune for Windows
I've recently started using the Antares Auto-Tune plug-in (version 3), and I need help! I used it recently on a male vocal that needed tuning. Even when using the plug-in's Automatic mode, I can't get a good sound out of it — the corrected voice sounds 'warbly' and fake. Can you offer any advice?
SOS Forum Post
Editor In Chief Paul White replies: Auto-Tune is designed to address the problem of vocal pitching imperfections, though I've also used it successfully on other instruments, including electric guitar solos and fretless basses. It is important to note that it can only handle monophonic sources, so if it sees complex mixed material, or sounds that have been treated with delay or reverb, it will tend to pass those sounds through untreated. This means if you have a vocal track with a lot of spill from other sources, Auto-Tune may refuse to work properly. On the plus side, it means you can treat a messy guitar solo that includes double notes or partial chords and they will all be ignored, leaving Auto-Tune to do its job only on single sustained notes.
The plug-in works by detecting the pitch of the incoming material in real time. Auto-Tune then uses a pitch-shifting algorithm to adjust the pitch of the input to the nearest note in a preset or user-definable scale. You can also leave Auto-Tune set to a chromatic scale, but I've found that this rarely works perfectly, especially if the singer uses a lot of bends or vibrato, as you can end up creating trills between two adjacent semitones. This could be contributing to the 'warbly' effect you're encountering, so make sure you have set the plug-in to work off the appropriate key and scale type for the melody you're treating.
The secret to making Auto-Tune sound natural is in not trying to make it correct sounds too quickly. There's a control called Retune — it appears as a rotary knob in version 3's GUI and as a slider in earlier versions — which adjusts the rate at which pitch correction takes place. You could think of it as the equivalent of a compressor's Attack control, and it's helpfully labelled with 'fast' and 'slow' at either extreme, although a numerical value is also shown. If you've already experimented with setting this control as fast as it will go, you'll have heard the familiar pitch-quantising effect that's been done to death on countless records since Cher's single 'Believe'. Setting a longer correction rate — move the knob/slider to its halfway point or below — allows a singer's natural bends, scoops and vibrato to pass through without obvious modification. Whenever they sustain a note, however, it will be pulled smoothly into pitch.
The Tracking control determines how Auto-Tune responds to low levels of spill. Again, it's intuitively labelled with 'relaxed' at one extreme and 'choosy' at the other. In most cases where the input signal is fairly clean, the default setting of around three-quarters of the way up should be fine.
By using Auto-Tune on a clean, untreated vocal take, and adjusting the Retune control carefully, starting from the 'slow' end of the scale, you should be able to achieve transparent pitch correction.
Auto-tune App Blackberry
The plug-in's Graphic mode allows far more detailed correction of the individual notes of a take, and is certainly not for beginners. I'd suggest that you get the hang of using Auto-Tune in Automatic mode before you get stuck into its more advanced features. If you haven't already done so, I recommend reading the Vocal Fixes article in SOS October 2003, which gives a fascinating insight into the ingenious ways that Auto-Tune is being used at the cutting edge of commercial record prodution.
I've yet to find a natural-sounding use for the vibrato section of Auto-Tune, as it sounds too mechanical and synth-like for my taste, but it may be useful as a special effect.
Auto Tune App Free Download
Finally, Auto-Tune and its contemporaries only sound really good when the singer you are working on has reasonable pitching in the first place. It is designed to correct errors of pitching, not entirely wrong notes, so there will be some vocalists, me included, for whom there is no salvation!